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Unknown - Thursday, November 15, 2012
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The road towards becoming pop art practitioners can be easily followed by those who appear to be ordinary artists through three different ways. When we say 'ordinary painters', we are referring here to the painters who have started out in anything other than popular art, such as conventional abstract expressionism. There has been a marked evolution from the somewhat snobby conventional art to the popular art that is widely known and loved today. However, it should be emphasized that the evolution was not at all easy or quick. In a way, you can also describe this shift as an evolution because of the growth that the artists believe they have sustained through it all. You should also realize that ordinary painters cannot just become popular art practitioners instantly, or whenever they want to. Rather, they tend to start coming up with popular art works, whilst still practicing conventional art.
As time goes by though, the artists in question find themselves devoting more time and energy to the production of the popular art pieces, as opposed to the conventional art pieces. Eventually, they earn a reputation as pop artists once they completely let go of conventional art and concentrate solely on popular art. We now venture to look at the specific ways in which this evolution from conventional art to popular art is triggered.
One sure way that would pave the path of ordinary painters towards becoming pop art practitioners is to expose themselves to various products or art works that are defined by popular art. Products of popular art are found to be attractive by most ordinary painters once they've been exposed to them. As a result, their curiosity is roused and they start to look into ways to come up with something similar. Soon they will find themselves deeply immersed in studying popular art practices and techniques. The point when they become pop art practitioners is when they fully stop creating conventional art. Instead, they will only be doing popular art and none of those conventional art works.
The second way in which ordinary painters typically evolve into pop art practitioners is through exposure to the literature developed by members of this art movement. These literature are not really something that is purposefully looked for by the practitioners of pop art who have made it big. In reality, they just accidentally happened by them. These literature are actually very informative, delving into popular art in great depth and showing how it fares against conventional art. You would even learn about how pop art is better than the elitist conventional art. After reading all that literature, many of these ordinary artists are convinced more than ever to try their hand at popular art, until such time that they fully evolve into practicing it.
Firsthand information is always a great source, and if you want to become a pop art practitioner, that means you would also benefit greatly from interacting with popular art practitioners themselves. It is noticeable how pop art practitioners are noticeably different from other artists. They appear to be more passionate about their art and enjoy it more. It is also clear that they earn more from it. They seem to draw more meaning from their art. There is no doubt that these interactions would serve to convince these ordinary painters to try their hand at practicing popular art. They subsequently evolve from being conventional art practitioners, into being popular art practitioners.
As time goes by though, the artists in question find themselves devoting more time and energy to the production of the popular art pieces, as opposed to the conventional art pieces. Eventually, they earn a reputation as pop artists once they completely let go of conventional art and concentrate solely on popular art. We now venture to look at the specific ways in which this evolution from conventional art to popular art is triggered.
One sure way that would pave the path of ordinary painters towards becoming pop art practitioners is to expose themselves to various products or art works that are defined by popular art. Products of popular art are found to be attractive by most ordinary painters once they've been exposed to them. As a result, their curiosity is roused and they start to look into ways to come up with something similar. Soon they will find themselves deeply immersed in studying popular art practices and techniques. The point when they become pop art practitioners is when they fully stop creating conventional art. Instead, they will only be doing popular art and none of those conventional art works.
The second way in which ordinary painters typically evolve into pop art practitioners is through exposure to the literature developed by members of this art movement. These literature are not really something that is purposefully looked for by the practitioners of pop art who have made it big. In reality, they just accidentally happened by them. These literature are actually very informative, delving into popular art in great depth and showing how it fares against conventional art. You would even learn about how pop art is better than the elitist conventional art. After reading all that literature, many of these ordinary artists are convinced more than ever to try their hand at popular art, until such time that they fully evolve into practicing it.
Firsthand information is always a great source, and if you want to become a pop art practitioner, that means you would also benefit greatly from interacting with popular art practitioners themselves. It is noticeable how pop art practitioners are noticeably different from other artists. They appear to be more passionate about their art and enjoy it more. It is also clear that they earn more from it. They seem to draw more meaning from their art. There is no doubt that these interactions would serve to convince these ordinary painters to try their hand at practicing popular art. They subsequently evolve from being conventional art practitioners, into being popular art practitioners.
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